A Few Modest Proposals for the Knight Arts Challenge: Philadelphia

Earlier in September, the Knight Foundation announced a program to bring $9 million to Philadelphia to fund projects and ideas that fueled the arts in Philadelphia over the next 3 years. After successfully executing a similar challenge in Miami 2 years ago, Philadelphia became the second city that Knight brought this opportunity to.

I don’t think I need to say how proud I am that the city I love and live in was selected for this opportunity, and I think that it’s a fantastic illustration of the sort of culture that I’ve absolutely fallen in love with over the last few years while working on Indy Hall.

Geoff’s contributions to Indy Hall come in many forms, but one of the more valuable and lesser known ones are his background in the arts. There are immense degrees of inspiration and lessons learned from his years in the arts that have shaped Indy Hall and it’s related communities and projects. No extra work has gone into figuring out how Indy Hall fits with the arts movement and culture in Philadelphia because, quite fundamentally, they are one and the same.

Because of this, we’ve been urged strongly to participate in the Knight Arts Challenge and submit a few ideas. Since my schedule has only started to return to “normal” recently, today I decided to put some time into crystallizing some of my ideas into the ~150 word “essays” requested in the Knight application. Geoff and I have spoken about some but not all of these, and they were written by me in my words.

There’s one important aspect to these applications that I want to note, as a reminder for myself, and as a point of context for anyone else reading this (at Knight or otherwise): these are all things that I (and we) intend on doing anyway.

Having Knight resources doesn’t mean that there is a green light that we don’t already have, because we don’t wait for permission. Having Knight resources doesn’t provide the validation that these ideas are valuable, because I’m confident that they are each an evolution of already-in-progress movements.

Knight resources are an opportunity to grow these movements and initiatives faster, and more strategically, allowing us to involve partners and specialists for the tactical implementations and letting Geoff, myself, and some other key leaders we’re excited about the potential to work with focus on guiding the projects and the necessary relationships.

And without further adieu, 3 modest proposals I’ve submitted prior to to the November 1 deadline.

1. Creative Cultural Event Volunteer Umbrellacorp

Philadelphia has had an explosion of events emerge over the last 4 years, and the richest and most influential ones rely on two scarce resources: volunteer time and sponsor donations.

These events span the space of arts, technology, creativity, education, business, science, and more. The best events allow for cross pollination between these spaces. With Knight funding, we could begin combining resources and making it easier for volunteers to provide their time knowing that infrastructure and support existed. In addition, the creation of a non-profit “for us by us” that makes it easier to approach local businesses for tax-deductible donations without needing to form dozens of tiny, one-off non-profits.

This initiative would improve the quantity, quality, and visibility of existing arts and cultural evens as well as enrich them by cross pollinating them with other neighboring industries.

2. Workplace Murals Partnership

Inspired by the Mural Arts program and its success in converting eyesore public surfaces in Philadelphia, I propose a program that takes Philadelphia’s arts community and partners them with another initiative, one to improve our workplaces.

We spend more time in our offices than in any other single place besides our homes, and there are measurable effects of making even the smallest improvements to create an interesting, welcoming, and inspiring workplace that workers are happy and excited to be in.

By partnering artists with businesses to help create murals that are relevant to the business, it’s activities and ideals, and install them in the workplaces. This not only provides an opportunity to get artists’ work into the public eye in a new and interesting way, but it creates a new setting where art can be enjoyed, and to universally positive end: art is more broadly appreciated, workers are inspired in their workplace, and companies invite their clients to their offices to show off the artwork.

3. Indy Hall & Partners to Develop Next Generation Piazza

Over the last 4 years, Indy Hall – a creative coworking community center in Old City Philadelphia – has proven itself with an extraordinary track record for creating a collaborative clubhouse catering to creatives across dozens of industries, including but not limited to designers, developers, writers, artists, entrepreneurs, scientists, educators, small business owners, telecommuters, marketers, videographers, game developers, and more.

We’ve shown growth over 3 years of operating shared space, from ~20 members of an 1800 square foot space to over 100 members sharing nearly 5000 square feet.

We believe that our next opportunity for growth is larger than a single space, but instead, to re-invent an entire city block in Philadelphia as a “Piazza” designed for independently minded creatives.

We will take our experience, and our community partners, and use it to seed the creation of a new location that mixes not only industries, but the entire strata of a creative lifestyle: live, work, and play.


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30
Oct 2010
AUTHOR Alex Hillman
COMMENTS 3 Comments

Thanks, Jeffrey

I sent this email to Jeffrey Zeldman about 6 weeks ago, and decided that I wanted to publish it here because of how important it was for me to externalize this.

==============================================================

Jeffrey,

In 2004, I realized that a career in hardware diagnostics was not for me and tried my hand at something new; I joined one of Philadelphia’s larger interactive agencies, and found myself falling in love with a new kind of work.

I worked with brilliant, creative people, who were inspired, focused, collaborative, and fun to be around. We had leadership that worked very hard on company culture. I had a mentor who trained me from barely being able to code a table to leading a number of our largest client properties into our first pure CSS layouts.

I learned from Sherri, who looked up to you, and so by proxy so did I. You may have become the first person that, as a young professional, I added to my pantheon. I read “Designing with Web Standards”, ALA, and as much related and peripheral material I could find.

Reading your work, and exploring the things in the web industry you care about, had an extremely profound influence on how I shaped my career, and helped me discover what I cared about.

Fast forward 6 years. I’m in a place that I never expected to be. I’m the director of technology for a nearly 40 year old family owned company who is strong, profitable, and enjoys the ideas that I have for implementing technology to better serve their business and their customers and ultimately grow this business in ways that they’ve never thought were possible.

Through all of that, the original undertones of the fact that we’re building high quality technology using open source and open standards, stems from things I ultimately learned from you and your friends & colleagues.

In February, we embarked on a deep re-platforming of this company’s entire web infrastructure. From ASPX and Tables to PHP, clean URLS, semantic markup, beautiful designs and interactions. But that didn’t serve the business, which is an e-commerce company and we needed to connect all of that beautiful web technology to our warehouse software.

We built a bridge platform that’s purpose is to keep the warehouse and the web in communication with each other. Again, built using open source software (this time in python/django), we created required functions for business logic but also built an immense amount of business intelligence.

And when we pushed it into production, I decided that it shouldn’t have a cold, mechanical name. I wanted our team to be happy to refer to it. I tweeted asking for a name.

You responded.

And I felt a circle close in my career. You, whom I’ve looked up to as a secret mentor for over half a decade, had a suggestion for what I should name something I’d spent significant time on and cared immensely about. Not only that, you suggested your daughter’s name. So I decided that our platform should be named Ava.

The point of all of this?

Thanks.

Thanks for being outspoken, thoughtful, opinionated, and more than anything, giving a damn. Not enough people in this world do, and I’m lucky to have found a way to surround myself with those who don’t know it any other way.


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Find out details or sign up below. Save $125 (off $375) by registering before January 31st.
18
Oct 2010
AUTHOR Alex Hillman
CATEGORY

business

COMMENTS 2 Comments

The Coworkers – A Weekly Chat with Alex Hillman and Tony Bacigalupo

For 3 weeks now, I’ve had a standing date with Tony Bacigalupo, one of my dearest friends and the co-founder of New Work City, which I happily consider to be Indy Hall’s “sister space” in Manhattan. Once a week, we call into a conference line for a 30 minute chat where we talk about anything we want…but mostly stuff related to coworking.

We record the call, and then publish it at TheCoworkers.com as well as to iTunes.

Technically it’s not a “show”, as we’ve decided on no guests and no post-production, but instead a window into a weekly dialogue that we agreed we should have been having in the first place. We talk about observations, ideas, and experiences of the week. And if all goes well, we will find some topics that we disagree on and get to debate.

Tony is one of my friends with whom I always have great conversations with. Sometimes they’re inspiring. Sometimes they’re refreshing. Often times they are lots of fun. No matter what, time spent together is time well spent. In the wake of his re-opening of New Work City, and my re-launching of ChoiceShirts.com, we decided that setting aside some time every week to talk…and then sharing the contents of those discussions, would be fun and valuable.

We also wanted to use it as an opportunity to talk about some of the meatier — and maybe even more risque — topics related to coworking that the mainstream media and most blogs simply aren’t talking about.

Whether you’re a coworking space owner, a coworker, or even someone working 9-5 and hoping for a better workday tomorrow, I think you’ll find things of interest for you. No topic is off limits, and we’re 100% candid and honest. Remember, this is a phone call, NOT a show.

So if you’re interested in what it’s like to sit down with the founders of a couple of coworking spaces and eavesdrop on their conversation, I hope you give The Coworkers a listen.


Join me for my next half-day coworking workshop on 2/19.
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10
Oct 2010
AUTHOR Alex Hillman
CATEGORY

coworking, indyhall

COMMENTS No Comments

The Real Value of Bootstrapping

There’s a lot of reasons not to give up a slice of your passion or business to somebody else, but Tony hits a home run as to the real reason why in his reflection “Alone at NWC“.

I wonder what it would be like to start a coworking space without having to do any of the grunt work. If you had the money right away to hire people to do all of the little things, I wonder whether you’d ever be able to fully appreciate the intricacies of every detail that make a place like this so special?

Replace “coworking space” with “business”, and the message becomes universal.

The whole thing is worth a read. I highly recommend it.


Join me for my next half-day coworking workshop on 2/19.
Find out details or sign up below. Save $125 (off $375) by registering before January 31st.
06
Oct 2010
AUTHOR Alex Hillman
CATEGORY

business, coworking

COMMENTS 1 Comment

How did I get here?

If a “career” is the sum of the activities which make up a person’s work history and future, mine is unorthodox, to say the least.

My first career choice (age 7) was to be a paleontologist. Then I saw Jurassic Park and realized how dangerous it could be. Scratch that.

My second career choice (age 11) was to be a professional magician. Then I saw David Copperfield (a bar mitzvah present) and realized how creepy he was. Scratch that.

Computers

By the time I was 15 I had figured out how to take apart a computer and broken the family PC enough times that my dad made me responsible for getting it working again. I walked into a local neighborhood computer shop (remember those?) to buy a new motherboard. The shop owner asked me, the 15 year old me, “so what are you going to do with a motherboard?”. I told him exactly what I was going to do with a motherboard and he offered me a job after school to learn how to build computers. The owner and the lead repair tech taught me hardware and software diagnostics. I worked my way through high school and even some time in summers after college at the computer shop. I solidified my passion for technology. My boss asked me “so when are you going to learn to write code?”. I told him I wasn’t interested in being a code monkey, diagnostics were what thrilled me.

College

So I went to Drexel for a business degree. I thought, “I’ll learn to run a business, start an IT diagnostics firm, and make a mint”. I had a great time at Drexel, much to the chagrin of my grades and subsequently my scholarships. It’s ok, though, because I wasn’t excited by what I was learning. But I stuck it out for the co-op program that Drexel is known for. I’d get an awesome job, learn what I wanted on the job, and then graduate to start my company.

My first co-op working with technology in a corporate business setting was working for a bank. And firmly decided that I did NOT want to start an IT consulting firm, because I’ve never been so bored in my life.

HTML

For my 2nd co-op, I had a friend who had been working at a local interactive agency. His job sounded fun. DVD rental library, razor scooters, fun client brands I’d actually heard of. But he was a coder. And I’d told my boss back at the computer shop that I didn’t want to be a coder.

But I thought, “what the hell”. It was a 6 months, no strings attached attempt at a career that I had no experience in, and only assumed that I wouldn’t enjoy.

I actually told them that when I went for my interview.

Now, here’s a fun anecdote: I was interviewing for a position as a front end developer. The practical test I had to take involved basic HTML skills, like taking a sliced up image and putting it back together with a table. After all, it was 2004 and CSS based layouts were just barely beginning to be adopted. I still tested in Netscape, and IE 5.2 for Mac.

But at the time, I didn’t really know any HTML. So I snuck a preview copy of the exam and did my best to memorize the answers.

I knew I could learn quickly anyway, and the answers would always be at my fingertips on HTMLdog.

So I passed the exam (technically cheated), and was offered and accepted my 2nd Drexel co-op as a web developer.

I fell in love with web development. My manager was awesome. My mentor was incredible. My coworkers were rad as hell, and our CEO was a quiet visionary. I absolutely loved this job, and I loved this industry. I made incredible friends whom I still am in touch with today, though many I wish I saw more often. I was introduced to names like Zeldman and Meyer and PPK. People who continue to walk in my pantheon today. And even some who I’ve come to consider friends.

This job changed my life. I didn’t want to be a coder, I wanted to be a developer. I wanted to creatively express technology. I loved having tools to artistically create, where I didn’t need to be a designer. I could make beautiful things that real people actually use and saw.

Dropout

When my 6 months was up, I went to my department manager and told him I didn’t want to go back to school, I love my job too much. I was learning more on the job, and having more fun, and making money. Why would I give that up?

He made me promise that I’d go back to school, since he was a dropout himself who was JUST finishing his degree in his early 30s. I obliged, and he let me stay past my co-op.

As this company swelled, and went through some severe growing pains in terms of culture and leadership, I found myself without a job (Not for lack of trying on my manager’s part. They did everything they could to save me a seat at the table). Luckily, there was another group of people that I’d worked with who had also left, but to start their own company. So I rang them, let them know I was on the market, and they offered me work on the spot.

I started taking some night classes to follow through on my promise to my former boss, but was quickly frustrated. I’d grown accustomed to work that actually had value, and classwork wasn’t doing that for me. I’d grown accustomed to working well in teams, and my classmates were not good at that at all. And I’d learned about some of the most progressive technology, which is not even CLOSE to what Drexel was teaching.

I gave up on the degree and it’s value. Drexel had given me what I wanted: an opportunity to try something that I wouldn’t have otherwise. If it weren’t for that 6 months, no strings attached gig, I wouldn’t have fallen in love with the internet. I wouldn’t know HTML.

Freelance

I filled that time I had been in class after work with some freelance. I was a pretty solid front end dev, and had a good enough network of people who’d spun out from that original company that I had plenty of work to supplement my income, keep me busy, and push me to learn more. On top of learning how to be a better coder, I learned project management skills, sales skills, and the business skills that I’d hoped to learn at Drexel but didn’t.

As I tasted more, I wanted more. I went to my boss and told him I wanted more opportunity to lead.

He agreed to it. Then he strung me along for nearly 6 months, through one of the most interesting (and also most infuriating) projects I’ve ever built. And my frustration with not having an opportunity to lead grew into resentment.

I left that company, and not on admirable terms. I’m sorry for that.

I did, however, take to freelance. I’d built up a strong enough network and a couple of key contacts that had more than enough work to pay my rent and put food on my table.

And as I worked on more projects, I had more opportunities to bring projects to the table as the lead. I had acquired the client, I led the project scope, vision, etc. I sucked at it at first, but I got better quickly, largely because I was learning from the other people who I collaborated with (many of whom I met back at that first interactive job).

Coworking & Chaos

I was also learning about coworking, and saw that as an extension of the way I was already working. It also seemed like a part of the solution for some of the things that I felt were missing in Philadelphia.

I learned about it from a duo who were unorthodox themselves, individually and together. They did more than just teach me about coworking, though, they taught me about a whole other ecosystem of frameworks and events for “getting things done”. Through them, I learned what it meant to “embrace the chaos” as a leadership model.

Indy Hall

I started sharing the idea of coworking with places that I saw people having interesting conversations, but realized how the 80/20 rule really worked: 80% of the people talked, 20% did anything. Luckily, that 20% yielded some of my closest friends and colleagues today. With the partnership and guidance of Geoff DiMasi, I led Indy Hall into fruition, from a nascent community of a handful of nerds to one of the most incredible, diverse, and powerful groups I’ve ever been a part of.

The things I’ve learned about leadership from Geoff are too numerous to list here. But know he’s had an immense impact on my worldview and leadership style, and I’m thankful. Indy Hall has been a vehicle for many things, not the least of which was that learning and personal growth.

At Indy Hall I found myself surrounded by even more leaders. Real leaders. People who had vision, and didn’t just tell you how things would go, but they actually architected the world and experiences around them. We continued to teach each other through our experiences, successes and failures.

Parties

I’ve always loved throwing parties. The same activity that probably did the most damage to my grades and scholarship provided the most powerful mechanism for changing the world around me. I’ve thrown more parties than I can count in my professional career, and in all of them, have made connections that I firmly believe have strengthened my place in Philadelphia, in my career, and in life. Learning to lead social interactions, which ultimately is raw relationship building, is one of my hugest assets.

Also, I have a neighborhood bar that’s cooler than yours. I gua-ran-tee it.

Business

Indy Hall has been a labor of love. I’ve poured countless hours into it, consciously and not. It’s not a venture I created to make millions from, though that’s not to say I still can’t. But the value it’s provided me has been immense. I’ve learned about running a business. I’ve learned how other people run their businesses. I’ve learned the ups and downs of widespread attention. I’ve hired and I’ve fired.

But while I wasn’t growing Indy Hall for the sake of growing a business, my palate had been whet for the taste of building businesses and the mechanisms that run them. People were interested in “my way” of doing things, and I began finding myself doing less web development and more business consulting.

Consulting

At the end of 2008, I came up with the idea for Unstick.me as a way to hone those business consulting skills, but work with people I really thought I could help. So starting small made sense. I also ran a weekly video stream for a while where a group of people helped each other. It was like going to group therapy for business.

Unstick.me never made me a ton of money either, but it did become a placeholder for opportunities to come and a great way to weed out people who wanted free advice. I’ve heard anecdotal stories about some of those “Unstick.me Live” sessions helping people make decisions that they are very glad they made. Even if one of those stories is true, it was worth it.

“Entrepreneur”

I’ve fallen out of love with the word “entrepreneur”. It is crusted with hype, and tends to be a self-assigned descriptor more than anything else. I’ve sometimes been pinned with this label, by virtue of the fact that I’ve largely paved my own way for the last few years (and started a business or two). But I don’t think of myself as an entrepreneur, or any of the things that supposedly come along with it.

There are qualities of “entrepreneurship” that are undeniably valuable as part of an ecosystem, and importent to overall progress as a society. But I’m more interested in those individual qualities than some arbitrary mashup that’s been given a label.

I’d rather think of myself as someone who works hard at what they think is right, than someone who won’t be proven wrong.

I’d rather think of myself as someone who pays attention to the world around them, rather than constantly sniffing for opportunity.

I’d rather think of myself as someone who want’s to make a difference, rather than someone who wants to make something different.

I’d rather think of myself as a cautious optimist than a forced realist.

I’d rather build businesses that create value than reward ideas with no intrinsic value whatsoever.

“Entrepreneurship”, as far as I’m concerned, is a merit badge in the boy scouts.

So I press on.

Back to the FutureAgency

As the summer of 2009 came to a close, I was wrapping up some web development projects and feeling the need to start in on something fresh and new. I went to dinner with my friend and and mentioned I was looking for my “Next Big Thing™”. She is the VP of Social Media something or other at a well known advertising agency in Philadelphia. I’d always admired their creative work, and knew that she loved working there. She suggested that I talk to their co-founder and CCO. I explained that I wasn’t looking for a J-O-B. She urged me to meet with him anyway.

We talked about a number of things, but one of the important recurring themes that came up was their desire to re-invent their interactive team and practice so that it wasn’t dependent on a single leader…but rather a team of leaders, well integrated into the rest of their creative process. And so, among other things, I joined with the opportunity to craft just that.

I spent a year (exactly) with that agency, and with the support of their leadership team built their interactive group into one of the strongest and most dynamic teams they’d ever had. We didn’t get to accomplish 100% of the goals I set out to do, but we made what I believe is incredible progress, and I’m confident that the team is capable of taking them through the next year and beyond.

Everybody Wears T-Shirts

In the middle of that year with the agency, another opportunity arose. For almost as long as Indy Hall had been open, I’d had a consulting gig with a local, medium sized, family owned, t-shirt company for a couple of years on it’s B2C business, in a variety of different capacities (literally, from writing code to inventing marketing ideas to digging into business process to providing corporate therapy to the CEO). I learned how a business that depends on physical inventory works (and how much it can suck), but also how a business with global reach and a passionate focus on great customer service can really run.

Earlier this year, I sat down with the CEO and Chairman of that company (a father and son duo who I’d grown to love like family). I suggested that my work with them was starting to become challenging, because we consistently ran into problems that the company simply didn’t have access to the technology ready to support our ideas, regardless of if the ideas were good or bad. I suggested that the company lacked a CTO, or a Director of Technology. My recommendation to hire someone in-house who could “own” the knowledge of their systems and find the best ways to use the technology they did have to make some forward progress on our ideas, and I’d continue to consult to make sure that the technology continued to support the business in ways that I’d spent all of that time helping them dig into. I was 100% not expecting their response.

Hired

Rather than hire a CTO for me to work with, they hired me.

And for the last 6 months, I’ve been their Director of Technology (or whatever my title is).

I’m not quite sure if I knew what it meant to be a CTO (or any C-level employee), even though I did write the job description that they were so firmly convinced described me. I knew what the role should be capable of. And sure, I had ideas of how I would do it, but it wasn’t until I was in the thick of it that I understood what it meant to be a Director.

It’s not about the title. Or the salary. Or the benefits. Or the potential power trip. Or the company jet (psych).

It’s about being a directing. Guiding. Finding and defining a vision, gathering buy in, and then orchestrating the pieces together. A bunch of instruments playing aren’t a symphony, they require a conductor to keep them all in pace and aware of each other. And so does a director.

Director

“Director” is often synonymous with “final say”, and I think that my experiences in learned leadership and the mentors I’ve had kept me from making it about that. My say wasn’t nearly as important as whatever vision we’d all bought in on. If someone else’s idea supported it better than mine, we went with theirs.

I said “no” a lot in the last 6 months, too, but not because I didn’t want to do things. Because they weren’t aligned with the vision we’d all bought into.

And so, after guiding a team of  12+ through one of the largest (if not THE largest) technology initiative I’ve ever experienced (let alone led), I’m confident that I’m onto something with my preferred techniques for directing a project, for guiding a team, and for communicating the rhythms of business.

Directors primarily work with people, but the number one tool in their arsenal (apart of great communication skills) is the ability to pick a direction.

Direction. You can only go one of them at a time, but you don’t have to go the same one forever.

Try to pick a good one.

This post is dedicated to the countless people whose journeys I’ve woven mine with over my last 27 years on this planet. Thank you for having an impact on me, even if I haven’t been able to figure out what it was yet.


Join me for my next half-day coworking workshop on 2/19.
Find out details or sign up below. Save $125 (off $375) by registering before January 31st.
04
Oct 2010
AUTHOR Alex Hillman
COMMENTS 5 Comments